english
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Netty van osch followed an education for monumental designer at the Academy in Den Bosch and has worked in several (international) ceramic centres (KECSKEMET-Hungary, ‘Europees Keramiek Werkcentrum-Den Bosch). She often holds exhibitions at home and abroad.

The ones that act are the genuine objects of fear and compassion, from dismay and indignation, the root of tragedy and fate.
from the point of demolition, van Osch sought a new challenge regarding her work. Due to this symbiotic sculptures originated, made from the difference. By giving these sculptures a common ground, expressed through the originated installations, she could emphasise their autonomy. Besides of this, she searched in the sculptures themselves, exactly a breakthrough of autonomy, by means of eye contact, in order that ‘fate’ in this way can point an accessory. At the moment she’s looking for the metabolic.